At no other time in the history of filmmaking has it been easier for even the novice to make high-quality, professional-looking documentaries. Recent technological advances in image capture, sound recording, and non-linear editing, combined with the near overwhelming amount of information available via the internet, have made it possible for virtually anyone with a camera, computer, and microphone to create compelling, non-fictional content.
Over the next several months (or, until Randy realizes he’s hired an insane person and pulls the plug) I will be discussing with you some of my experiences and insight into the rapidly evolving world of indie and mainstream documentary filmmaking; including the technological advances that are literally re-shaping the genre. They will be posted here and as an exclusive feature on the NexTV Entertainment website (www.nextventertainment.com).
BUT FIRST, a disclaimer: as any filmmaker will tell you, filmmaking is an individual journey. Every filmmaker has their own unique style and method for getting things done. So long as what you are doing is working, then I say, “soldier on”. By “working” I of course mean that you are making films. If what you are doing is not leading to that one, all-important goal, then something is wrong and maybe I can help.
Now, I do not pretend to know everything, but I do know some things. That’s what I am here to share with you. But by all means, if you know of a better way, or you just think I am an idiot who needs to be put in his place, you can find me at the following email, info@johndavidflores.com. I will gladly read whatever you send, and maybe even include some of your ideas or suggestions here (unless they are personal in nature and involve some type of contortion).
So then, let’s get started with our first topic: What is the most important element in making a documentary?
Over the past four decades, American cinema and TV have experienced a shift in creative emphasis in which the aesthetic quality of the image has begun to supersede the importance of a well-written and compelling story. Perhaps the best examples of this are seen within the action genre. Films like Avatar, and Michael Bay’s Transformer series have been widely praised for their amazing visual design and graphical effects. At the same time they have received the wrath of film critics for the seeming lack of concern paid towards the development of a good story. The worldwide popularity of these films has led some filmmakers to question whether or not the story is still the most important element in the hierarchy of creative choices. So then, which is more important: the quality of the story or the quality of the visual image?
For those of us committed to the non-fiction genre the answer may seem obvious. And yet one cannot help but notice that the majority of networks featuring non-fiction programming seem to be oriented around reality shows and serialized documentaries that are thematically sensationalistic; emphasizing the action of the characters instead of revealing the underlying story of their condition. So again, which is more important, the story or the visuals? As with all things having to do with the creative arts, it really depends on your intentions.
To say that the story is the most important would be to ignore the popularity of films and TV shows that are visual-centric. At the same time, placing an overemphasis on the visual elements is a contradiction to the old adage that “great films come from great stories”. Thus, your intention should be the guiding principle in deciding whether to focus your efforts on creating a visually compelling piece or telling a compelling story. And don’t forget, there is always the option of doing both.
Next week we will discuss strategies that will help you to find a compelling storyline, and the role of contemporary social issues as a potential influence on your decisions. Until then, here is a link to a marvelous documentary in which both the visual and narrative elements are excellent: click here to see the doc in its entirety. Have a great week everybody.
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